000			03647cam a2200421 a 4500
999			_c122 _d122
001			17105302
003			OSt
005			20190819172711.0
008			111229s2012 enka b 001 0 eng
010			_a 2011053319
020			_a9781107006829 (hardback)
020			_a1107006821 (hardback)
035			_a(DNLM)101575402
040			_aDNLM/DLC _cDLC _dDLC
042			_apcc
050	0	0	_aBF463.S64 _bA89 2012
060	1	0	_aWV 272
082	0	0	_a616.85/5 _223
245	0	0	_aAudiovisual speech processing / _cedited by G. Bailly, P. Perrier, and E. Vatikiotis-Bateson.
260			_aCambridge ; _aNew York : _bCambridge University Press, _c2012.
300			_axxxvi, 470 p. : _bill. ; _c24 cm.
504			_aIncludes bibliographical references (p. 403-468) and index.
505	8		_aMachine generated contents note: 1. Three puzzles of multimodal speech perception R. E. Remez; 2. Visual speech perception L. E. Bernstein; 3. Dynamic information for face perception K. Lander and V. Bruce; 4. Investigating auditory-visual speech perception development D. Burnham and K. Sekiyama; 5. Brain bases for seeing speech: FMRI studies of speechreading R. Campbell and M. MacSweeney; 6. Temporal organization of cued speech production D. Beautemps, M.-A. Cathiard, V. Attina and C. Savariaux; 7. Bimodal perception within the natural time-course of speech production C. Abry, M.-A. Cathiard, A. Vilain, R. Laboissière, H. Loevenbruck, C. Savariaux and J.-L. Schwartz; 8. Visual and audiovisual synthesis and recognition of speech by computers N. M. Brooke and S. D. Scott; 9. Audiovisual automatic speech recognition G. Potamianos, C. Neti, J. Luettin and I. Matthews; 10. Image-based facial synthesis M. Slaney and C. Bregler; 11. A trainable videorealistic speech animation system T. Ezzat, G. Geiger and T. Poggio; 12. Animated speech: research progress and applications D. W. Massaro, M. M. Cohen, M. Tabain, J. Beskow and R. Clark; 13. Empirical perceptual-motor linkage of multimodal speech E. Vatikiotis-Bateson and K. G. Munhall; 14. Sensorimotor characteristics of speech production G. Bailly, P. Badin, L. Reveret and A. Ben Youssef.
520			_a"When we speak, we configure the vocal tract which shapes the visible motions of the face and the patterning of the audible speech acoustics. Similarly, we use these visible and audible behaviors to perceive speech. This book showcases a broad range of research investigating how these two types of signals are used in spoken communication, how they interact, and how they can be used to enhance the realistic synthesis and recognition of audible and visible speech. The volume begins by addressing two important questions about human audiovisual performance: how auditory and visual signals combine to access the mental lexicon and where in the brain this and related processes take place. It then turns to the production and perception of multimodal speech and how structures are coordinated within and across the two modalities. Finally, the book presents overviews and recent developments in machine-based speech recognition and synthesis of AV speech"-- _cProvided by publisher.
650		0	_aSpeech perception.
650		0	_aSpeech processing systems.
650	1	2	_aSpeech Perception.
650	2	2	_aLipreading.
650	2	2	_aPhonetics.
650	2	2	_aSpeech _xphysiology.
650	2	2	_aVisual Perception.
700	1		_aBailly, G. _q(Gérard)
700	1		_aPerrier, Pascal.
700	1		_aVatikiotis-Bateson, Eric.
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cSTS